I wasn't intending to record an album when I started this. I was recording my explorations of software synths, as I might record a practice session. If something interesting happened, I might want to make something out of it later.
At random, I chose the K200, designed by Krakli. When I saw it was an FM synth, my expectations immediately lowered. I have never enjoyed their sound. The most popular, the DX7, was heard on many '80s pop tunes. I found them saccharine and painful to listen to. However, I'd heard that beyond the presets, you could do a lot with them. Here was a chance to dive in and try.
Despite the old advice, I went straight to the presets. This was not a DX7, and the makers might have done something different. To my surprise, I found a lot of them were downright inspiring. Had I spotted this was from the makers of Cygnus, the synth that's all over "The Watermelon Seed", I might have relaxed from start.
Before I was done checking everything out, I had plenty recorded to base an album around.
I set some ground rules. I would complete the album using only the K200. Also, no effects except what was built into the software; this included mixdown. It was difficult for me, but that's the point of a challenge. The end result is something I am very happy with, otherwise I would have shelved it.
I have about 63 minutes worth recorded. I picked the ones I felt worked best together, and have saved the rest for future work- without constraints. Meanwhile, I hope you enjoy these. The K200 is a great synth and I plan to use it more. Thanks to Ian Webster and Armin Kujashi for coming up with such a cool instrument!
-GS, 2/17
credits
released February 19, 2017
All sounds performed and composed by Greg Segal, on a Krakli K200 software synthesizer. K200 designed by Ian Webster, presets by Armin Kujashi.
Throwing mathcore, emo, and ambient into the mix, Estonia's Kaschalot push progressive rock's multitasking approach to its limits. Bandcamp New & Notable Mar 10, 2021
Brilliant experimental outfit Parlor Walls return with a killer new single boasting chest-collapsing digital beats and snarling guitars. Bandcamp New & Notable Apr 2, 2023
An expanded version of 2021's soaring Christmas offering from Japanese rock titans MONO on limited-edition 10-inch vinyl. Bandcamp New & Notable Feb 8, 2022